Letterpress printing of texts and images is done by using a press with a “type-high bed” printing press and movable type, and in which the reversed surface is then inked. The trend of letterpress printing is as old as 19th century. However, the simplicity and eco-friendly virtue of letterpress printing still attracts designers and advertisers to use it in creating great looking business cards and brochures.
Here we have collected 35 cool letterpress business cards to inspire designers and those thinking to print innovative and unique business card. Letterpress naturally gives a design an elegant and attractive look. The emboss effect that letterpress creates can really accentuate the graphics and images on the card.
Good Apples
Cool Good Apples letterpress business card with funny graphic imprints.
Tinytwiggette
Cute logo graphic and information in letterpress printing style.
Paws & Claws of Charlestown
Simple yet best looking design of a clean, retro letterpress business card.
Second World Design
Single-sided business card in white with ink typography and letterpress printing.
Letterpress Printed Business Card
Simple and stylish with letterpress text and water ripple-like pattern.
Letterpress printed business card
Coastal Fine Foods
Letterpress cutlery symbol and logo making it an attractive business card, designed for Coastal Fine Foods.
Old Red Hat
Attractive red letterpress business card with cool Old red Hat graphics.
Metallic Letterpress Business Card
Classy metallic black letterpress business card with white text.
Metallic Letterpress Business Card
Letterpress business card
Double sided business card with letterpress printing for Studio Espresso.
Lovemadlydotca letterpress business cards
Love Madly created for those who love madly, in letterpress printing style.
Lovemadlydotca letterpress business cards
Judy Wainwright
Double-sided white business card with letterpress graphics and text.
Javier Garcia Business Cards
Smart business card with classy red and black strip and letterpress printing.
Paper Reka
Beautiful vintage style business card with graphics and text printed in letterpress style.
Saxall Design Studio
Cool double-sided letterpress business card in pretty colors.
Wedding Photographer
Documentary Wedding Photography looking fabulous in color-less letterpress printing.
Balsa Wood Business Cards
Attractive letterpress business card using wood texture color scheme.
Hippo Pocztówka
Awesome blue graphic in letterpress impression giving it an unforgettable look.
Reddy Or Knot
Heavy letterpress business card in minimalist white design.
Square Letterpress Business Card
Square letterpress business card with pretty stylish typography.
Square Letterpress Business Card
Le Tank Letterpress Business Card
Innovative retro effect with impressive looking letterpress printing and font style.
Le Tank Letterpress Business Card
The Highbrow Grooming Lounge
Great looking minimalist letterpress business card of the Highbrow Grooming Lounge.
Barista Lab
Gorgeous square-shaped business card in white with letterpress printing.
Round Letterpress Business Card
Lovely round business card in white with letterpress printing effect.
Round Letterpress Business Card
JF Business Cards
JF business card in white paper and black letterpress printing.
Graphic Designer Mini Business Card
Sleek business card strips with letterpress printing.
Graphic Designer Mini Business Card
Letterpress Pupcard
Black square letterpress business card with text printed with metallic silver and transparent white ink.
Four colors letterpress business card
Artful business card with colorful letterpress printing.
Four colors letterpress business card
Space 150 Business Card
Chic, insignia style business card with text and logo printed in letterpress.
Angie Chong Taylor
Beautiful font style and sleek graphics printed with letterpress.
Beautiful White Letterpress
Gorgeous white letterpress business card design made for Fifth Street.
All about Kids Photography
Another white letterpress business card with green effect giving it a spectacular look.
The DH Business Card
Magnificent letterpress design using great colors and graphics.
Culinary Culture
Pink Culinary Culture letterpress business card in minimalist design.
Fizz Business Coasters
Cute uniquely shaped white business card with letterpress printing.
Letterpress Business Card with Rounded Corners
Cool letterpress business card designed for mobile apps creators – Mobiversal.
So here we are at the third installment of the process of getting from illustration to letterpress product. In the first installment we made a simple two-color illustration on the computer using a favorite photograph. In the second step of the process we prepped that file for printing. At the end of the second step, with the consideration of the unique requirements your personal printer or plate-maker might have, you were ready to send your file off to have a plate made for you. In the case that you are sending your files off to be made into a plate, this information will be purely for your curiosity about what's going on behind closed doors at plate-makers' shops. (If you'd like more information about the process vis-a-vis working with professional plate-makers, check out Boxcar Press.If you are interested in using a photopolymer plate making lab which may be available in some printmaking departments or studios, this information will be valuable to you. While I describe the process that I use to make the plates, I'll inject a few interesting resources I've found on the web that document inexpensive ways to set up a plate-making operation in your own home, although I have no experience doing it in that fashion.
Step 1: At the end of the last installment we had separated the two colors but had left them in their appropriate Pantone colors. In this step we need to convert each colored portion into plain black. Remember that grays or halftones do not work well in this process, so make sure everything is either black or white.
Step 2: Resize the images to be the same size as they will appear on your final letterpress product. If you'd like to use the same image in multiple sizes, you'll need to make multiple printouts and multiple plates. I've combined both images onto one 8.5"x11" page and printed a single copy. If you are interested in drawing something by hand with traditional pen & ink you can skip to this step in the process and use that illustration to make a negative directly.
Step 3: A negative needs to be made from your printout. Using a film negative service will produce a superior negative, but if you're doing it low budget or doing it at home, a transparency from a copy machine will work just fine. Load the transparencies into the copy machine and select "Negative/Positive" (may differ from machine to machine) and create a negative of your printout. Since transparencies are not quite as opaque as film negatives it's a good idea to make two copies, line them up exactly, and tape them together (being careful not to cover any of your art).
Step 4: This step needs to be done in a darkroom environment because the plates are light sensitive. If you decide to set up shop at home, you can purchase virgin plates from Boxcar Press in various sizes & widths. If necessary, cut a plate to fit the size of your negative – it can be smaller but make sure all your art is on top of the plate. All the photopolymer plates I've worked with have a side with a protective cover on it. Peel that off when you're ready and flip your negative face down on top of the freshly peeled side. Looking at it, your art should now be backwards.
Step 5: In order to "burn" your image onto the plate, you need to expose the plate to light. Thankfully I have access to a lab with a big expensive machine that has a vacuum action to pull the negative tightly against the plate and expose the plate to the light needed. With any machine or even in your own home if you don't have resources with recommended exposure times, you may have to do a little experimentation to get it just right. Exposure times can also differ depending on the weight of your lines or the intricacy of your design, I've found.There's a DIY tutorial for making photopolymer plates in your own home by Maggie Bergman that I've found at Silver Clay Art. She details some of the above steps as well, but most importantly talks about how to clamp a negative to the plate using clips, expose using fluorescent or halogen lights, and how to make test strips. All very important things if you're interested in doing this at home.
Step 6: (This step should be done in a darkroom environment.) If you have a plate-washing machine you can use that (I do about 6 minutes this way), but if not use a soft brush and water to rub away the part of the plate that was not touched by light coming through your negative (aka the white space in your original). The plate will feel slimy (and be kind of smelly) during this process. You want to continue lightly scrubbing until the details of your design start to feel sharp-edged under your fingers. If there are little bumps in the middle of white space areas or the plate still feels really slimy, you need to scrub a little more. Don't scrub too vigorously or too long – you may end up with no design at all! Maggie Bergman recommends 2-3 minutes of scrubbing to get it cleaned out when doing it by hand. When you're all done you'll see what will be the colored part of your design raised in the plastic.Step 7: (This step does not need to be done in the dark.) Before you use your plate it's important to firm it up. I use a little plate oven that's at about 80 degrees Celsius for 5-6 minutes, but Maggie Bergman recommends using a blow dryer or fan heater at home. I've seen someone somewhere talking about nail polish hardening machines, too. :-) You don't need to completely dry out the plate – it should still be flexible when you're done and not overheated. Sometimes over drying can warp thin lines or even make the plate start to split into layers.
Step 8: This step is more of a precaution to make sure that all parts of the plate have been exposed by giving it a little more light.![]()
Perforated paper is simply delicious. Those tiny dotted punctures have a nice look, have a fun feel, and make you want to interact with whatever it is they're on, whether it's something being used for functionality purposes or not. Ideally, they also tell the viewer what to do without actually telling them what to do, which can be pretty convenient when you want an uncluttered design.
This post brought to you by the leading greeting card and postcard printing company, Next Day Flyers. They're bringing creative invitations to life.
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In vite verb |inˈvīt| [ with obj. ] make a polite, formal, or friendly request to (someone) to go somewhere or to do something
Invitations tend to go hand-in-hand with the traditional carnival ticket as a form of entry to an event. By means of tradition and sentimental memories, utilizing the idea of a ticket in design doesn't always mean to literally include carnival tickets (but that can be a cute addition that never gets old, too!).
Wedding invitation booklet using digital, letterpress and perforation - by dolcepress.com
In these dramatic wedding invitation booklets (above), simple perforation was used to create a tear-off RSVP postcard. This postcard tear-out is an excellent idea as it cuts down on providing an extra envelope while also using a portion of the invitation to re-use (tearing out and mailing the RSVP).
Wedding invitation with letterpress and perforation for tear-off RSVP card by dolcepress.com
Per fo rate (as adj. perforated) : a perforated appendix.• make a row of small holes in (paper) so that a part may be torn off easily.
Opening night, restaurant invitation by lunalux.com
Perforations can be implemented from delicate to heavy in order to portray a mood or theme. Those tiny punctures can provide an involved experience by presenting the idea of a ticket stub or coupon tear-off.
LUNALUX designers applied the carnival ticket idea in this restaurant invitation (above)—theming it with an oriental flair—utilizing a change of font and border pattern, and maintaining a recognizable ticket layout with a decorative border and numbers on the end.
Sarah's Shower Invites by wabisabievents.com
The above carnival-themed invitation included ticket stubs that were printed out on a heavy-stock paper, hand-cut and perforated with a sewing machine (without thread to simulate actual ticket stubs). Ingenious!
Nine-ten-eleven wedding invitation by pprwrkstudio.com
Even the idea of perforated paper by using dotted print lines, can add appeal to an invitation, delegating areas without heavily implying divisions in the design.
Wedding invitation using perforation by smokeproofpress.com
Invitation by Sarah Hearts Design using perforation
The two great examples above use a minimal perforation technique versus literal holes punched in to the paper—this is used more in classic design and is less distracting to the eye.
Wedding invitations by Design With Chon using letterpress and perforation
You can see that perforation goes nicely, hand-in-hand with letterpress, a style where thick paper is imprinted with an indentation of the design. Both techniques involve a morphing, or rather a sort of sculpting of flat paper to give it texture and function outside of being an announcement or invitation.
Where have you seen perforation used in creative invitations?
header credits: invitation by merrimentdesign.com (left) | invitation found at ohsobeautifulpaper.com (right)
Teammollybean.comMolly is the COLOURlovers Community Curator & Blog Editor. Her ultimate passion is fine art, which mainly pertains to painting wild surrealist scenes on canvases too large to hang in her own home. Aside from designing and painting, She loves to create serendipitous projects with sewing and crafting, figuring out how to DIY everything and anything.Molly comes from a family with five imaginative kids. Her mom instilled creativity to the max and you can usually find them scheming together, figuring out new ways to sew, craft or build DIY projects.
She is a house-work-wife, has an amazingly supportive husband, two genius kids and works in a button factory
#wrench vs. #mustache
We’re happy to reveal two designs created by Giuseppe Salerno (@beppeartz) of Resistenza for our June TypeCard celebrating Father’s Day (June 19th). Stoked doesn’t begin to describe how we feel about these, but we have a problem … we like them both so much we can’t pick one, so we’re putting the vote to you!
Voting will be open for 1 week at the end of which we’ll announce the winner. Post a comment below or online with the shortlink (http://goo.gl/QfD3S) and use the hashtag #wrench or #mustache to place your vote.
As a thanks for voting we’ll pick 5 random votes to win a free Father’s Day TypeCard.
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We ♥ instagram.
We love sharing designs, ink, machines, and anything else we come across in our print-crazed lives. We just hit 900 followers and to celebrate we’re announcing a special giveaway. To mark the next milestone – 1000 followers – we’re going to give away 4 sets of 250 LETTERPRESS business cards (do the math, that’s 1000 free cards!).
Here’s how to enter to win:
- Follow us on Instagram (http://www.gramfeed.com/dolcepress)
- Post a photo of your business card design and tag us in the comments (@dolcepress) with the hashtag #freeletterpress
We’ll pick a winner once we hit the 1000 mark. Here are the guidelines for the design:
- The design should be 1-color (no 6-color designs please).
- The layout should be 3.5″ x 2″ or smaller.
- The default color is black. (If the 4 designs picked agree on a unique color we’ll mix a custom ink)
If you’ve got questions about the contest or your design post them in the comments below.
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Letterpress and foil stamping create a stunning effect.
Today we’ve got a letterpress and foil suite we recently produced for Mario Brathwaite of Brathw8 Studios. We’ve worked with Mario before on a custom set of letterpress business cards, but when he updated his branding he wanted to create new business cards and notecards to match. We love foil stamping as much as letterpress because of the unique look it produces – it can create truly shiny metallics and allows light colors to be printed on dark stocks.
more …
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We’re happy to announce (somewhat belatedly) the winner of our April TypeCard Design Contest, Evan Sittler of Evan Sittler Designs. We were overwhelmed by all of the submissions and the wide range of designs from cards celebrating Easter and Passover, to Sorry Charlie Day (April 6th) and Titanic Remembrance Day (April 15th). Evan’s winning design honors Scrabble Day which is celebrated on April 13th. Did you know that scrabble was originally developed in 1938 by Alfred Butts? Evan would, he got a degree in game development before he stumbled down the graphic design path!
Keep your eyes peeled for these TypeCards with your order when it ships in April, we’ll be posting photos of the printing and finished pieces over the next few days. As the winner of the contest, Evan will get a big stack of his design printed for FREE. As a special thanks to everyone who submitted a design, we’ll be sending out thank you cards with copies of some of our past letterpress TypeCards. If you submitted a design, you should receive an email with all of the details.
We’re always open to suggestions for new TypeCards or contests so feel free to post your thoughts in the comments below.
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Holy smokes! This invitation by Nick and Nikki Lo Bue is one of the most amazing wedding invitations I’ve ever seen.
Nick and Nikki had a charming story behind their relationship which inspired them to make this stunning book as their wedding invitation. Making the wedding book gave the couple a fabulous opportunity to tell their story to friends and family as well as give guests a cute keepsake.
They asked a dear friend who also happened to be a copywriter to write their story and worked closely with their friend Stacey Stern at Steracle Press to help bring their wedding book concept to reality.
Nick’s friend Jeff Carlson drew the super cute color illustrations such as the couple’s daily Starbucks runs at work where they met, the home-y Chicago skyline, and more.
The wedding book begins with the story of how Nick and Nikki met at a Chicago design firm, followed by the unique story behind their relationship including daily Starbucks runs and a move for one to Austin and back, and Nick’s proposal, ending with the formal wedding invitation/details.
Nikki included a perforated and stamped RSVP postcard at the end of the book for guests to tear out and mail.
Wherever possible, Nikki used archival paper/elements to create the book to ensure that it will last a long time without yellowing or showing signs of age. Suppliers are listed later in this post.
Not only did Nikki make the invitations but also the lovely letterpressed fabric book jackets, mailing labels, belly bands around the boxes as well as the ‘nikki & nick’ tags on the cloth drawstring book bags.
Nikki has kindly documented free step-by-step DIY instructions and supply lists after the jump. We request that if you use this idea or instructions, please post a comment below. Enjoy making your very own smythe sewn book!
NOTE: The instructions that follow are not for the faint of heart. Fortunately, graphic designer Nikki is available to provide her services to you. Feel free to contact Nikki at Caliente Creative. Lucky you!
How to Make Book Pages
Use a page layout program to design/layout your book pages; a page layout program such as Adobe InDesign or QuarkXpress would be best, but Microsoft Word could work if you do not have access to a page layout program. Layout your book pages in reader’s spreads in landscape format, knowing that the finished size of each page will be 5.5”high x 4.25”wide when the page is folded. Allow 1.125” margins on the right and left edges of your document (you will need the extra width when the pages are folded and stitched so that the content of your book is far enough away from the spine). Allow at least .375” margins on either side of the center of your document. A good margin to use for the top and bottom is .75” or 1”.
After you have completed your layout for your book, you will need to imposition your document pages, meaning you will sequentially reorder the pages by shifting each page one page to the left in your document (so your document pages will no longer be in readers spreads, but once you fold the printed pages and put them in sequential order, they will be in readers spreads once again). After you have prepped the pages, you may want to print out a copy of your book and make a dummy to make sure all of your pages are appearing in the correct order.
Once you have imposed your document and prepped it for printing, you can print the book pages yourself if you have the capability, or have someone else print them for you.
Fold your printed pages in half to be 5.5”high x 4.25”wide. To make a really crisp edge, press a Teflon Bone Folder
along the folded edge. Sequentially order your folded book pages and set them aside.
How to Make Letterpressed Front and Back Book Covers
Choose a cover weight paper for the front and back covers of your book, and create your design. You can print the covers yourself if you have the capability, or you can send them out to be printed by someone else. We designed our front and back book covers and had them letterpressed on Crane’s Lettra Pearl White 110# Cover stock, which was an archival paper made specifically for letterpress printing; it also matched the paper stock we used for the pages of our book.If you choose to have your book smythe-sewn, check with your binder to find out what size they would like to covers to be – they will likely want them to be larger than what the finished size of the book will be, because they will line up the pages of the book and trim off any excess so that the finished edges of the book pages will all be flush. Our book covers were 4.375” wide x 5.75” high before sending them out to be smythe sewn and trimmed.
If you will not be having your books smythe sewn, you can make the document size for the covers to be the finished size of the books – 5.5”high x 4.25”wide.
Once you have your front and back covers, you can send them out along with your book pages to be bound.
Optional: Make perforated RSVP card
Since our books were also our wedding invitation, we included a perforated and stamped rsvp postcard at the end of the book, which our guests could tear out and send to us. The front of the postcard asked the usual rsvp info (name, how many guests would be attending, meal choice, etc.), and on the backside we included an area where the guests could write us a note if they wanted to.We had our rsvp card letterpressed printed, and so our letterpress printer perforated the cards for us after they were printed. We worked with our smythe sew binder to determine what the size of the card should be, and how far away the perforation needed to be from the spine. Our rsvp cards were 4.375” wide x 5.75” high before sending them out to be smythe sewn and trimmed, and were perforated .75” away from edge of spine on the long side of the book (the 5.75” side). The cards were letterpressed on the same paper stock as our front and back book covers, using the same ink colors.
Smythe sewn book binding
If you have a really thin book you could probably try and stitch it yourself by hand or on a machine. If you have a thick book like we did, you will need to send out your book components to be professionally bound. Research book binders in your area to find a vendor who can smythe sew (stitch bind) the books. It may help to go through a printer – chances are they will have the capability to bind books in-house or will have a trusted vendor that they use. Ask the binder to see some thread samples so that you can decide which color you would like to use. They can also advise you on various details such as how far away the stitching will be from the spine, and how far apart each stitch will be. When you have all the book components ready (front covers, back covers and interior pages), you can send the components out to be Smyth sewn and trimmed. Check with your binder first to find out how they would like to receive the book components – if they have the capability to trim the books after they have been sewn, they will most likely prefer the covers and interior pages not to be trimmed to size because they will do it themselves, which will affect the size of all the book components.How to Make Letterpressed Fabric Book Jackets
What lovely green fabric book jackets covered the books.Supplies:
Turn on your iron to the heat setting specified in the directions that came with the Fusion 4000. Using a pencil, ruler and an exacto knife, trim the book fabric and Fusion 4000 into 26” x 20” sheets to match the size of the Paper.
Next step is to iron the book fabric, Fusion 4000, and paper together; heating the Fusion 4000 activates the adhesive, which will seamlessly fuse the book fabric and paper to make your jacket. For the best results, follow the instructions that came with the Fusion 4000 and do some test runs until you get the hang of the method. If you would like to have a design letterpressed onto your book jackets, it would be a good idea to save some of your imperfect jackets so you can give the samples to your printer. They can use the jacket samples to do some test prints to make sure the printing process will produce desirable results.
The order of the layers should go (from top to bottom): 1 large sheet of wax paper, book fabric, Fusion 4000, paper. Place your iron on top of the stacked elements and quickly and thoroughly iron all areas of the sheet, moving the wax paper with you as you iron (using the sheet of wax paper will allow you to move the iron more freely over the element, while protecting the elements from being burned by the iron, or having any of the Fusion 4000 adhesive accidentally getting onto your iron).
When you are finished ironing, let the jacket cool and then use magazines or books to weight it and keep it flat – this will help prevent warping and curling.
If you are not going to have a design printed on your jacket, you can trim the jackets down to their final size with an exacto knife, ruler, and a cutting mat. Be sure to use a sharp exacto knife blade when you are trimming; using a dull blade will cause the fabric to fray as you trim. The final size of your book jacket will depend on the height width, and thickness of the finished size of your book. To determine what the (flat) length of your jacket should be, add the width of the front and back covers to the width of the spine, then add 1/8”. Try making a test jacket and fitting it on the book first to be sure it will fit before trimming down all the rest of your jackets.
Place the fabric side of the jacket face up, and measure the width of your book. Then, in the center of your jacket, lightly mark the width of the spine at the top and bottom of the jacket with a very sharp pencil. It may help to center the spine of your book face down in the center of the jacket and use that as a guide to place your marks. After you have marked the width of the book spine, work your way out to mark the next set of score marks, which should be the width of the book cover +1/16”. Take that measurement and mark the width on either side of your spine marks (these are the score marks that will enable the jacket to wrap around the front and back covers of the book). After you have finished making your marks, line a ruler up to the corresponding marks at the top and bottom edges; and, with the end of the Teflon folder (whichever end you feel most comfortable using) press a line into the jacket.
Optional – printing:
If you choose to have a design printed on your jackets, you will need to do a little research and find a printer (I recommend using a letterpress printer) who has the ability to print on the book fabric you would like to use. Once you find a printer, you can work with your printer to find out what size the book jacket sheets need to be before they can be printed on – sizes will vary depending on the size of their letterpress.Layout the design for your book jacket, and include crop marks to indicate the final (flat) trim size of the book jacket. If possible, ask you printer if you can approve a print so that you can know what to expect to see in the final product,
Once you receive the printed jackets back from the printer all that will be left to do is to score, fold, and wrap them around your book.
Optional finishing touches…
Boxes, bags and padding
A nice way to protect and contain your book is to place it in an appropriate-sized fabric drawstring bag (you may want to iron the bag first to remove any wrinkles).Supplies:
If you are going to mail your book or give it someone as a gift, you can place the book into a lined box (such as 7” x 5.5” x 1” kraft jewelry boxes from Uline). Unless the book fits snugly in the box, you will need to use a material to pad the box to protect the book from moving around and potentially damaging the book. A few ideas for padding are: peat moss, crinkle paper, and tissue paper. Line the box with your desired material, place the book in the box and close the lid.
Tags
As a finishing touch on the bags, you can tie a personalized tag onto the end of one of the drawstrings of the bag.Supplies:
We designed 3”high x.75”wide tags to tie onto our bags. The tags were letterpressed with our names and wedding date, using the same paper stock and ink colors as our letterpressed book covers. Personalize your tags with your desired design and then either print them yourself or have someone else print them for you. Once you have your printed tags, use a cutting mat, exacto knife and a ruler to trim them down to size (be sure to include crop marks in the print file so that you can use them as your guides).
After the tags are trimmed, use a 1/8” round hole punch to punch the tops and turn them into tags. Loop one of the drawstrings on the bag through your tag, tying a knot at the end of the string so that the tag will not fall off. Place your book inside the bag, cinch the top closed, and tie the drawstrings into a bow.
Belly Bands for your boxes
For a finished look you can apply a bellyband and a label to the box to firmly secure the lid.Supplies:
To create the double-banded belly bands, use two complimentary sheets of oversized text weight paper (we bought two colors of 26” x 20” sheets from Paper Source, but you can use any paper you want as long as the paper will be long enough to allow you to wrap it around your desired box with a little bit of overlap where the ends meet).
Decide which color you would like to use for the top of the bellyband, and which color you will use on the bottom. Using a ruler, exacto knife and cutting mat, trim the paper you would like top use as the bottom of the bellyband into 4.25”wide x 14”long strips. Trim your other paper stock into 3.5”wide x 14”long strips. Center the top strip on the bottom strip and use a glue stick to glue the top strip to the bottom strip to create your double-banded belly band.
Put your bellyband face down on a flat surface, and place your box right side up and centered within the middle of the bellyband. Loosely wrap the bellyband up and around the edges of the box – the ends should meet as close as possible in the center of the top lid of the box. Once you like the placement of the bellyband, use a glue stick to apply some glue to the bottom area of the box where the bellyband will fall and press down firmly so that the bellyband and box stick together. Tightly fold the edges of the belly band up and around the top lid of the box, using a glue stick to glue the ends of the strips where they overlap (you can also use a small piece of clear tape to hold the bellyband in place). If you are applying a mailing label, apply your label to the top of the box and over the bellyband, covering up the seam where the bellyband ends meet. Press firmly to secure the label to the bellyband and the top of the box.
Mailing labels
We created 5.3” x 2.625” labels to use on our bellybands and boxes, but you can create your own custom mailing labels by using 8.5”x11” label stock and trimming the labels down to your desired size. To make your own oversized labels, find some 8.5” x 11” full sheet label stock that you can run through your printer, or stock that your desired printer can print on. Determine the size you would like the labels to be, create your design (with crop marks) and then print your design onto the labels (if applicable, include name and/or mailing address if you do not want to handwrite it). Once printed, trim the labels along the crop marks using a ruler, an exacto knife and a cutting mat. You can leave the label edges square or use a rounded corner punch to round each of the corners of the label. After you are finished trimming, peel off the label backs and apply the labels to the top of the bellyband and box.
Resources
Letterpress printer:
Stacey Stern at Steracle Press in Chicago, IL or stacey[AT]steracle[DOT]comSmyth sewn book binder:
Greden, located in (suburbs?) Chicago ILHeat-activated adhesive sheets to fuse book fabric and paper together:
Fusion 4000 (40.5″ x 30 yard roll) from TalasBook Fabric:
Rainbow Ecological Fibers – http://www.ecofibers.com
We used Rainbow Brillianta 4250 Lime, which came in a 52.5” yard rollArchival paper for book pages:
8.5” x 11” sheets of pearl white Crane’s wove unwatermarked paper, ordered through Lewis PaperPaper for belly bands and interior of book jackets:
26” x 20” sheets of solid paper from Paper SourceBoxes:
7” x 5.5” x 1” kraft jewelry boxes from UlinePeat Moss for padding the boxes:
Can be purchased through a florist (it usually comes by the box)Labels:
8.5” x 11” full sheet label stock (you can get this from almost any office supply store)
Rounded corner punch (you can get this from almost any fabric/craft store)Cloth drawstring bags:
5” x 7” cloth bags from PackCo
Comments (14) | Permalink | By Kathy on 12/9/2008